For the past ten years the Portrait Society has hosted competition for members only. This year we received an unprecedented number of entries, over 800, and the work submitted varied in style and execution. There were five jurors, one for each category, and they based their selections on a specific set of criteria that included drawing skills, tonal values, design, treatment of edges, and color harmony along with all the mechanics of composition. There were more entries in each category that showed excellence in all these elements than there were awards to give. So, the final selections and the determined awards were additionally based on the artists's imagination, emotion and ability to communicate their idea. The following pages feature and list this year's award winners. We appreciate all the artists that took your time to enter and support our programs.
COMMISSIONED PORTRAIT
1st Place - Katherine Galbraith
Lillian, 306x30", oil on canvas
"This commissioned portrait of Lillian was a joy to paint. After meeting her, I went to Lillian's home for our initial sketch/photo shoot. Always, before the camera comes out, I sketch my subject from life in charcoal or conte crayon. This is critical to my process, and I use it as a time to record my impression of the sitter. There are so many ways of portraying someone and this part of the process helps me focus and establish my direction. Lillian stood very still and seemed to be enjoying the process. She is a very happy, loving, child, and was excited be be having her portrait painted.
Once the sketch is completed, I create a monochromatic oil study for the final painting. Using a combination of sketches and hundreds of photographs, I search for the best image, expression, and a beautiful line. I'm always looking for the line that will make a beautiful painting. Then when I begin the final portrait I draw in with yellow ochre. I like using yellow because it is a warm tone and also a very soft tone which I think is better for skin tones, especially for a child. When I have the figure blocked in on the canvas and the placement is where it is pleasing and proportionally correct, not too high or too crowded, then I begin to paint. One of the most important features about this child were her eyes: they were just riveting, beautiful and bright blue. Most of my attention to detail centers on the face, hair and hands. As an artist, I am honored for the opportunity to portray someone."
